Louise Doughty, one of the judges of this year’s Man Booker Prize and a fine novelist herself, said it best. Novelists, she remarked, are generally shy-ish, observing sorts of people; pushing them on stage, or under a spotlight, is a bit like asking a badger to tap-dance. My tap-dancing badger moment began ten weeks ago, when at a computer in an internet café in a remote Swiss valley I discovered that my novel The Northern Clemency had been longlisted for the Booker. The badger went into double time when it got on the shortlist, and now I’m writing on the afternoon of the dinner itself. (I feel quite safe sucking up to Louise, by the way, since by the time this comes out, it will be far too late for sycophancy to make a difference either way.) I might win; I probably won’t: but all in all, I feel like the wrong sort of creature to be under anyone’s gaze.
Philip Hensher
Diary – 18 October 2008
Philip Hensher looks ahead to the Booker Prize and back to a holiday in Syria
issue 18 October 2008
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in