One of the best things about being a writer is that you get asked to interesting places. I’ve always turned everything down because I believed I should sit at my desk and write. About six months ago, I decided to see what would happen if I accepted everything for a while. Admittedly, I had a kick-start. My BBC film Page Eight, about the moral ructions in MI5 in the past ten years, was given the unusual honour, for a TV film, of closing the Toronto Film Festival. So I went to Toronto (refreshing), then to Edinburgh (uplifting), Warsaw (fascinating), Rome (matchless), Hamburg (serious), Jaipur (fabulous), Eastbourne (serene) and Gothenburg (-14°C). During this period of traipsing down red carpets and giving multilingual Q&As (best audience question in Gothenburg: ‘Where did you buy that coat?’), I’ve written more than usual. It turns out that travel doesn’t distract, it concentrates.
•••
It’s great for me to be back at The Spectator, where I’ve been absent for as long as Cliff Richard from Radio One.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in