Degas Revealed

Once upon a time, before masterpieces cost millions, a museum director could win a modicum of immortality just with his acquisitions policy. Even now, the Metropolitan Museum, New York, has just paid $45 million for a Duccio. Usually, however, in the absence of Napoleon’s sword or Paul Getty’s bank balance, a public gallery director is as likely to achieve success by doing something intelligent with what we, the public, already own. A good start is to reunite preparatory studies with existing holdings by borrowing far and wide from other collections for a specially focused exhibition. Partly thanks to the Lane Bequest and the Courtauld Fund, the National Gallery boasts 11 paintings or sketches by Edgar Degas (1834–1917) in its permanent collection. Fortunately, the negative advice of Lord Redesdale, a Gallery trustee in 1914 who compared Degas to a pavement artist, was ignored.

In this exhibition — which is free and one of a series — the focus is on the interaction between Degas’s complex working methods, materials and techniques.