Switch is a French action thriller starring that lumbering wooden legend of French cinema, Eric Cantona, and it’s awful, but at least it is one of my favourite kinds of awful film: so awful it’s a triumph. If I were ever invited to lecture at film school — remarkably, I have yet to receive such an invite — the first thing I’d say is: girls, boys, although your narrative shouldn’t be predictable, it must add up in terms of what has gone before.

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in