Deborah Ross

Definitely the best cow film of the year: First Cow reviewed

Kelly Reichardt’s eighth feature is touching, tender, original, entrancing – and I predict a big future for Evie the cow

Animal attraction: John Magaro as Otis ‘Cookie’ Figowitz, and Evie the Jersey cow, who is as convincing as she is beautiful. Credit: Courtesy of A24 
issue 29 May 2021

Kelly Reichardt’s First Cow stars John Magaro, Orion Lee, Toby Jones, and a Jersey cow listed in the credits as ‘Evie’, who has a dewy face and big soft eyes. As Reichardt has confessed: ‘She is very beautiful and was cast purely on her looks.’ Evie is, thankfully, as convincing as she is beautiful, and this is a convincing and beautiful film. It is touching, tender, original, entrancing, definitely the best cow film of the year. Plus it’s also a quietly masterful thriller where a clafoutis (blueberry) will have you on the edge of your seat.

The film is Reichardt’s eighth feature and if you’ve seen Meek’s Cutoff, a sort of western, or Wendy and Lucy, possibly the best dog film ever, you will know she is a singular filmmaker whose characters always serve as plot rather than serve the plot, which is a joy. It opens in modern-day Oregon as a dog digs up something in the woods.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in