Patrick Carnegy

David Tennant plays Richard II like a casual hippie

His thoroughly modern king may appeal to younger folk, but is a betrayal of Shakespeare's complexity

Getty Images | Shutterstock | iStock | Alamy 
issue 02 November 2013

Gregory Doran, now in command at Stratford in succession to Sir Michael Boyd, launches his regime with Richard II, intending to stage the complete Shakespearean canon over the next six years, ‘making every play an event’. What’s really good is that the plays will also be seen on tour, in London, online and ‘live on screen in cinemas and classrooms nationwide’. It’s taken too long for the publically funded RSC to put live ‘streaming’ in place; Richard II, broadcast on 13 November, will be the first play so honoured.

With David Tennant in the title role this may already be a sell-out, but encore screenings are already planned in many cinemas. As Tennant has recently been a memorable RSC Hamlet, casting him as the introspective, poetical king was an obvious follow-up. The German director Claus Peymann is not alone in seeing Richard as ‘a Hamlet come to power’. This may be a little too glib, but it’s an idea worth chewing on.

Like it or not, you have to accept that a star like Tennant is going to dominate.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in