In a scene that sticks from Map to the Stars, David Cronenberg’s Grand Guignol of a Hollywood satire, Julianne Moore, playing an ageing Hollywood never-has-been, sits on the loo in front of her PA, expelling tired whiny farts from her arse, while listing – her trout pout doing its best impression of a quivering anus – the names of the laxatives and prescriptive drugs she needs as if they were old friends. Except she doesn’t have any friends; the only people she knows are casting directors who don’t call back.
And it’s no wonder Havana Segrand’s bodily functions have stalled (surely a first for Cronenberg). Not only is she plagued by visions of her dead mother, a cult actress who died in a fire, but her therapist, John Cusack – ever brilliant and a dead ringer for David Guest these days – seems to be an alumnus of the same school of self-help as Patrick Swayze in Donnie Darko or Tom Cruise in Magnolia.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in