Andrew Lambirth

Daumier’s paintings show he is at heart a sculptor

The artist didn't express what an action looks like, but rather what it feels like — as the Visions of Paris exhibition at the Royal Academy demonstrates

‘Clown Playing a Drum’, c.1867, by Honoré Daumier. Credit: © The Trustees of the British Museum

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in