Deborah Ross

Dare to care

issue 08 October 2011

Tyrannosaur is very much in the British working-class miserablist tradition in the sense that it is full of masculine fury and the women who take the brunt of it, and if this does not sound an attractive proposition, it’s because it isn’t, and never is, but, as far as these unattractive propositions go, this is powerfully affecting. I would also add that if, in the upcoming months, the actress Olivia Colman does not win every award going for her performance as a nice Christian lady with something to hide, I will be surprised, stunned, amazed, astonished and incredulous. I will also be dumbfounded, and flabbergasted, and will eat my hat, but not my thesaurus which, over the years, has proved handy, convenient and opportune.

This is the writing and directorial debut of Paddy Considine (the actor who is otherwise best known as Shane Meadows’s leading man) and although this is set in Leeds it is, he has said, an attempt to understand his own particular upbringing on a council estate in Burton-on-Trent.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in