Sarah Ditum

Daddy dearest

In the Darkroom tackles family relationships, identity and gender politics with riveting insight and precision

issue 16 July 2016

In 2004, after a 25-year estrangement, Susan Faludi’s father reappeared in her life via email. ‘I have had enough of impersonating a macho aggressive man I have never been inside,’ it read, and was signed, ‘Love from your parent, Stefánie.’ The 77-year-old had embarked on a new life as a woman, both a dramatic abruption and the continuation of a biography full of reinvention. He was born as a Hungarian Jew called István Friedman, survived the Holocaust thanks to a talent for imitating Nazis, adopted the name Faludi to show he was ‘100 per cent Hungarian’, and later settled in the US, where he became Stephen Faludi, archetypal ‘American Dad’ and, as a photographer, a master manipulator of images.

In 2014, Stefánie Faludi died, and In the Darkroom is a memoir of the fraught reacquaintance between father and daughter. It’s also a record of Stefánie Faludi’s extraordinary life, and an unsettling interrogation of that modern obsession, identity.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in