Martin Gayford

Cut it out

Plus: to colour or not to colour (and how), that is the question of the exhibitions at Waddington Custot, Ordovas and Hauser & Wirth

issue 01 April 2017

How do you make a work of art? One method is to cut things up and stick them back together in a different order. That is, roughly speaking, the recipe for collage. Thus in 1934 Max Ernst snipped away at a pile of illustrations to 19th-century novels, reassembled them in an altered fashion, and came up with Une semaine de bonté — or A Week of Kindness — a surrealist novel in pictures.

Some of its pages are displayed in The Ends of Collage, at Luxembourg & Dayan, 2 Savile Row, W1. In one a woman reclines on an ornate, neo-baroque bed, while all around the waves of the sea are rippling over her coverlet; in another a male leaps astonishingly high in a moonlit street,
his head transformed into that of an enormous bird.

For my money, Ernst never did anything better (his paintings are generally much less powerful). In the right hands — wielding scissors and glue — collage can produce marvellous results.

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