Among the first to arrive was a Labour grandee. Then others drifted over: academics, musicians, writers, a nurse. They came from different directions, some looking shifty, others excited. The secret meeting point was an inconspicuous pub in north London. Queueing shoppers nearby assumed the growing crowd was waiting to get into the supermarket. In groups of five those gathered were led down a suburban street to a derelict leisure centre. For one night only, the gym had been turned into a makeshift theatre. The audience, of up to 30 people, had congregated to flick a collective V at the social distancing measures, and to watch A Hero of Our Time, a three-hander adapted by HUNCHtheatre from the 1840 novel by Mikhail Lermontov. Inside the ‘theatre’, it was as if the past four months had been a very weird dream. Audience members kissed one another on the cheek without compunction, shared wine, and finally settled shoulder to shoulder on the floor to watch.
Leaf Arbuthnot and Igor Toronyi-Lalic
Culture is going underground: meet the rebel army
The longer actors and others in the arts are deprived of their livelihoods, the more clandestine activity will spread
issue 04 July 2020
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