New York
The concept of creativity and invention can be a doubled-edged sword. It can be fresh, uplifting and original, like the off-Broadway play directed by Michael Mailer that I’ve just seen, or it can be a phoney rip-off of a Shakespeare classic, a terrible modern take on Hamlet, blackness and homosexuality that I have not seen and do not plan to. What makes me laugh is the reviewer at the Bagel Times who gave a good one to the latter, Fat Ham, as objective a judgment as, say, an appraisal of Mao’s Little Red Book would have been in a Beijing daily circa 1964.
Favouring the message over the fun is in vogue nowadays, but Michael’s Darkness of Light: Confessions of a Russian Traveler eschews the norm, and takes flight. The play is based on the life of the painter Alexander Kaletski, who is also its playwright and co-director.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in