‘We no longer believe in God but hope nevertheless for miracles,’ remarks Frederic Mordaunt, one of the characters of John Harwood’s third novel, The Asylum (Cape, £14.99). He’s being over-optimistic, as Georgina Ferrers, the niece of a London bookseller, soon discovers when she wakes in a strange bed to be told that her name is in fact Lucy Ashton and that the year is 1882. It appears that she has admitted herself as a voluntary patient at Tregannon House, a Cornish mental asylum run by the charismatic Dr Straker. Tregannon, the ancestral home of the Mordaunt family, is tainted with madness; and the young heir, Frederic, assists Dr Straker in his selfless philanthropic work.
Harwood has a talent amounting to genius for channelling the spirit of 19th-century sensation fiction. It’s all here: maverick science, threats to personal identity, missing wills, lost heirs, illegitimate children and a pervasive sense of unease, of threats half-seen.
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