Andrew Taylor

Crime fiction – review

issue 08 June 2013

‘We no longer believe in God but hope nevertheless for miracles,’ remarks Frederic Mordaunt, one of the characters of John Harwood’s third novel, The Asylum (Cape, £14.99). He’s being over-optimistic, as Georgina Ferrers, the niece of a London bookseller, soon discovers when she wakes in a strange bed to be told that her name is in fact Lucy Ashton and that the year is 1882.  It appears that she has admitted herself as a voluntary patient at Tregannon House, a Cornish mental asylum run by the charismatic Dr Straker. Tregannon, the ancestral home of the Mordaunt family, is tainted with madness; and the young heir, Frederic, assists Dr Straker in his selfless philanthropic work.

Harwood has a talent amounting to genius for channelling the spirit of 19th-century sensation fiction. It’s all here: maverick science, threats to personal identity, missing wills, lost heirs, illegitimate children and a pervasive sense of unease, of threats half-seen.

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