The confusion is understandable. You arrive at Anne Hathaway’s Cottage in Stratford-upon-Avon, keen to experience the quintessential cottage garden — only to be told that Shakespeare’s garden was, in fact, designed in the 1920s.
The space in front of an Elizabethan cottage would have been used for keeping pigs or hens, with a patch for cabbages or onions. Any flowers or herbs would have had medicinal or practical uses, not least for strewing on the cottage floor to disguise the stench. By the 19th century, the garden at Hathaway’s Cottage had become more decorative, but it was the Edwardian plantswoman Ellen Willmott who filled the front with flowers and introduced the idea of mown paths through long grass in the orchard.
The same sort of teasing historical layering goes on at the thatched cottage in Dorset where Thomas Hardy was born in 1840.
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