Contains moments of spellbinding banality: Radio 4’s The Poet Laureate has Gone to his Shed reviewed

The interview podcast is a genre immoderately drawn to gimmicks, as the logical space of possible formats is gradually exhausted. The interviewee, quite often themselves a podcaster, might be, for example, invited to noisily eat lunch while nominating their top-five deceased childhood pets.

The theory is that fanciful formats encourage the interviewee to open up. Under such conditions, the interview itself can come to seem incidental to the main event, the atmosphere chummy, comfortable, back-scratching, but fundamentally uninterested: you do my interview, I’ll do yours, no real questions asked.

The moderately fanciful premise of The Poet Laureate has Gone to his Shed sees the poet Simon Armitage solitary and at work in his garden shed, turning out haiku as part of a summer project. He is glad of interruption, though, and each week a well-known friend or fellow artist — J.K.