Robert Gorelangton

Consumed by Dickens

Robert Gore-Langton talks to Simon Callow, who delights in the sheer surrealism of the novelist’s imagination|Robert Gore-Langton talks to Simon Callow, who delights in the sheer surrealism of the novelist’s imagination

issue 10 December 2011

If you don’t like Simon Callow, you probably don’t like the theatre either. He is as theatrical as a box of wigs. Who else would bark ‘come!’ when someone knocks on his dressing-room door? There he is with a glass of wine, a boom of good cheer, having peeled off his side whiskers after his lushly enjoyable one-man show based on two rediscovered Dickens stories, Dr Marigold and Mr Chops.

But that tour is now over and Callow (probably still best known for his part in the film Four Weddings and a Funeral — the funeral was his) is going straight into another Dickens, his new version of A Christmas Carol. The actor-writer who has cornered the market in Dickens works likes Dickens. He has a book coming out next year, his 13th. It’s a full-length biography, Charles Dickens and the Great Theatre of the World, published to coincide with the bicentenary of Dickens’s birth on 7 February.

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