Andrew Lambirth

Connecting threads

Andrew Lambirth talks to the painter Jock McFadyen about British art's inferiority complex and his debt to Sickert

issue 15 September 2012

The past few months have been busy for Jock McFadyen. Substantial commercial shows of his work have been held in London and Edinburgh, he has been elected a member of the Royal Academy, and a retrospective of four decades of his painting is currently on view at the Fleming Collection in Berkeley Street, Mayfair (until 17 October). Although Scottish by birth (he was born in 1950 in Paisley and brought up on the outskirts of Glasgow), he has lived most of his life in London. All the men in his family worked in the shipyards, but his father took a job in England when McFadyen was 16, so he came south in 1966 and stayed on to become an artist. He made his name in the 1980s with a brand of tough Hogarthian realism that focused on East London low-life. Since those heady days of popular success, McFadyen has been less visible on the gallery scene but no less active in making art, and today is painting some of the most interesting pictures of his career.

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