Constantine Cavafy was a poet who fascinated English novelists, and remained a presence in English fiction long after his death in 1933. When E.M. Forster lived in Alexandria during the first world war, he got to know Cavafy — and essays, a celebrated exchange of letters and a guidebook by Forster resulted. Cavafy haunts Lawrence Durrell’s Alexandria Quartet, which shares with the poet an aesthetic of the transfixed gaze, of remote history running under everything. Robert Liddell wrote a restrained, elegant life of the poet — oddly dismissed by this translator, Daniel Mendelsohn, as ‘workmanlike.’ More hauntingly, Liddell wrote a novel, not apparently known to Mendelsohn at all, in which Cavafy lives on into the second world war, developing a fixation for Canadian airmen. Unreal City is sceptical about Cavafy: it is the ironic English gaze directed towards a rapturous, unmoving, pretentious, lyric presence. Liddell clearly found his subject infuriating, but impossible to ignore.
Philip Hensher
Complete Poems, by C.P. Cavafy – review
issue 18 May 2013
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