Lloyd Evans Lloyd Evans

Compelling revelations

issue 01 October 2011

Even the cover is a mystery. Julian Assange’s memoir carries a contradictory, if eye-catching, title: the unauthorised autobiography. On his WikiLeaks site the author disclaims authorship altogether. ‘I am not “the writer” of this book. I own the copyright of the manuscript which was written by Andrew O’Hagan.’ He claims that the text was ‘distributed secretly’ in the final week of September. Well I wonder. My copy was delivered by a helmeted courier who handed me the book only after a pre-arranged password had been exchanged between us: my name. This was hardly secret. The publishers, Canongate, explain in their racy introduction that Assange signed a contract last December and submitted his first draft in June whereupon he renounced his contract. ‘All autobiography is prostitution,’ he declared. He spent the money from his advance on a legal bid to annul the publishing deal. This failed. So out came the book.

Assange makes enemies easily.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in