The 20th-century painter Balthus once suggested that the author of a book about him began with the words: ‘Balthus is an artist about whom we know nothing; now let’s look at his works.’Actually, there are many important figures about whom we know nothing, or at least very little. Giovanni Bellini is a case in point. Information we don’t have about him includes when he was born, and even whether he was the younger sibling of Gentile Bellini — as is usually assumed — or in fact his uncle.
The discovery a while ago of a Latin poem suggesting that in old age this artist of tranquilly thoughtful saints and Madonnas was in the habit of sleeping with a handsome young man has only complicated matters, though it does enliven his image. Consequently, a book such as Giovanni Bellini: The Art of Contemplation by Johannes Graves (Prestel, £95), contains a great deal of conjecture (and a considerable amount of cold water discreetly poured over other people’s theories).
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