Children of a genius

The subtitle is ‘The Erika and Klaus Mann Story’, and the shadow is that cast by their father, Thomas Mann, the greatest German novelist of the 20th century.

Erika and Klaus were the oldest two of his six children, and, while it is fair to say they lived in his shadow, they were not obscured by it, being extraordinary people in their own right, Klaus at least a remarkable writer himself also. Andrea Weiss, an American film-maker as well as writer, an associate professor at the City College of New York, tells their story with enthusiasm, sympathy and insight, in a style mercifully free of the clotted jargon we tend, not always unfairly, to expect from American academics.

There was a year between them in age, Erika the elder, but they were so close to each other that they were often taken for twins and seem indeed to have thought of themselves as such. Enemies — and they had plenty — accused them of an incestuous relationship. This is unlikely. Both were predominantly homosexual, Klaus almost exclusively so. But each was indeed for the other the most important person in the world, until in middle-age Erika transferred her intense devotion to her father.

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They enjoyed what is now called a privileged upbringing and also a liberal one, surprisingly liberal perhaps in view of Thomas’s reputation for high-minded and self-conscious rectitude. They flourished in the adventurous freedom of the Weimar years, Erika as actress, cabaret artiste, sketch-writer and what have you, Klaus as journalist, dramatist, novelist and occasional actor. Erika was briefly married to the actor Gustaf Grundgens, previously Klaus’s lover. Gustaf would later become a star in Nazi Germany, Goering’s pet, appointed Director of the State Theatre. His corruption forms the theme of Klaus’s most famous novel, Mephisto, published in 1936 but banned in Germany.