Deborah Ross

Child’s play

Childhood wonder, we’re told, can transform a bad situation into something joyous. But it can’t correct it, alas

issue 11 November 2017

The Florida Project is a drama set in one of those cheap American motels occupied by poor people who would otherwise be homeless. It’s sad but not depressing, bleak but also joyful, and features one of the best and truest child performances you will ever likely see. Also, it is captivating without ever being condescending — I think. It is always so hard to know, but if you get too hung up on that, cinema will never be allowed to say that poverty exists, or deal with stories that don’t regularly get told, and that’s the end of my lecture for this week, you will be delighted to hear.

The movie is written and directed by Sean Baker, whose previous film, Tangerine, about a transgender sex worker, was shot on an adapted iPhone 5 and won many awards. Here, the setting is Orlando and the cheap motel is the Magic Castle, which is painted a loud, lurid mauve and is situated close to Disneyworld.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in