Every new product, whatever it is, needs a bit of ‘buzz’, and indeed vast numbers of people around the world make a decent living trying to generate that ‘buzz’, while the rest of us spend much of our time trying to ignore it. Last week, though, much chatter was to be had in music-loving circles about the new single from Daft Punk, a French duo who make dance music and dress up as robots whenever they play live. I bought their 2001 album Discovery, which was awash with references to old soft-rock hits of the late 1970s, and was so influential you could hear blatant steals from it on countless chart hits from the subsequent decade.
Subsequent releases have been few and very much duller, possibly because they couldn’t decide whom to borrow from next, but suddenly they are back and people have been telling me, you’ve got to hear this! It’s got Nile Rodgers from Chic playing guitar! Pharrell Williams is singing! It’s got a chorus and a tune! About an hour after I found it on YouTube, Jeremy Vine was saying on Radio 2 that everyone had been telling him about the new Daft Punk single, it’s great, Nile Rodgers, blah blah blah.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in