Deborah Ross

Cheesy but full of love: The Fabelmans reviewed

Spielberg's autobiographical film will leave you smiling ear to ear

Michelle Williams as Mitzi and Mateo Zoryan as Sammy in The Fabelmans 
issue 28 January 2023

There can’t be anyone anywhere who hasn’t somehow been touched by a Steven Spielberg film. Some of us, for example, haven’t  dipped their toe into the sea for going on 40 years now. (Thanks for that, Jaws.) He has thus surely earned the right to finally turn the camera on himself, as he does with The Fabelmans, a memoir based on his childhood and discovery of filmmaking. This could have been sentimental and soggy, a ‘magic of the movies’ endeavour. There is some of that, but this is more than that. It’s about family, and the complexity of family, and it’s intensely personal, moving, absorbing and full of love. He is a master storyteller, and I say that even though I’ve seen Indiana Jones and the Kingdom of the Crystal Skull, unfortunately.

The film is directed by Spielberg who co-wrote the script with Tony Kushner. As far as I can ascertain, it is accurate about Spielberg’s early life even if names have been changed.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in