Horrid Henry (3D, like we care) is the first big-screen adaptation of Francesca Simon’s bestselling children’s books, and if you would like to save yourself a trip to the cinema you can recreate the experience at home by tuning into some super-noisy, busy, brightly coloured Saturday-morning kids’ TV programme while simultaneously bashing your head between a pair of cymbals and wishing you were dead.
This film is an agony from beginning to end. The plot is a chaotic mishmash of several others via a number of nonsensical detours, plus all the characters, without exception, are appallingly drawn. There is not a scintilla of truth in any of them. Not a sniff. You may say an adult would think this, but I attended the screening along with my two nephews — Fred, nine, and Harry, 12 — and they both declared it abysmal before, of course, they strongarmed me into Nando’s where, as it happens, we fast became engaged in a lively discussion about the issues of the day.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in