A more appropriate subtitle to this homage to the queen bees of the interwar years might have been ‘How to Suck Up in Society’, for the servility of these six stately galleons simply beggars belief. Each was a mistress of her art, but the oiliest of the lot has to be Mrs Ronnie Greville, the illegitimate spawn of a Scottish distiller who was described by Harold Nicolson as ‘a great fat slug filled with venom’. By offering to bequeath her house, Polesdon Lacey, to the stammering Prince Albert, Mrs Greville kept the monarchy buzzing around her hive for years to come.
Queen Bees is a sticky blend of anecdote and social history, in which Sian Evans makes exaggerated claims for the historical significance of her salonnières. These, apart from Mrs Greville, comprise Nancy Astor, first woman MP and mistress of Cliveden; Emerald (née Maud) Cunard, champion of the conductor Thomas Beecham and intimate of Wallis Simpson; Lady Edith Londonderry, grandmother of Annabel Goldsmith; Sybil Colefax, interior decorator; and Laura Mae Corrigan, ‘humble’ Cleveland waitress turned wife of a steel millionaire.
Ambitious, competitive and snobbish to the bone marrow, each woman, says Evans, exercised a ‘profound effect on British history’ and helped bring about ‘social revolution’, be it through her response to the abdication crisis (‘How could he do this to me?’ wailed Emerald when Edward VIII blew her chances of becoming lady in waiting) or to the Munich agreement (Mrs Greville, Lady Londonderry and Emerald Cunard were enthusiasts for Hitler, and Nancy Astor — ‘the Member for Berlin’ — was pro-appeasement).
Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in