The gnostic Gospel of Mary has long been the subject of controversy, even as to which of the several Marys who feature in Jesus’s life was its author. It is generally assumed to have been Mary Magdalene, not least because it depicts her regular adversary, St Peter, refusing to credit a woman’s testimony.
In Names of the Women, Jeet Thayil challenges Peter, along with 2,000 years of church tradition, by placing Mary Magdalene and 14 other women at the very heart of the gospel story. His intention to retell pivotal incidents from a female perspective is evident from the opening words ‘Mary, write,’ which are repeated in various forms throughout the book.
The women’s stories are related in short, discrete chapters and clear, almost clinical prose. Those of the Virgin Mary and the Magdalene herself are the most familiar, although approached from an unusual angle.
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