Referendum fever reaches Stratford East. Spoiling, by John McCann, takes us into the corridors of power in Holyrood shortly after a triumphant Yes vote. We meet a foul-mouthed bruiser named Fiona whose strident views and vivid language have propelled her into the public eye during the referendum battle. Her reward is Scotland’s foreign ministry. The most obvious and striking thing about Fiona is her personal ghastliness. A coarse, petulant show-off, over-endowed with self-belief, she has no wit, geniality or political intelligence. Asked how she feels about the birth of Scotland’s liberty, she rasps out her reply like a seagull with tonsilitis. ‘Rebirth!’ Her mistrust of Westminster is deeply engrained. ‘They’re punishing us in the settlement talks,’ she gibbers, ‘because they can.’
Her sense of victimisation is stoked by the play’s absurd storyline. Fiona is due to host a joint press conference with her counterpart, the English foreign secretary, when she discovers that meddling Londoners have doctored her speech and included the word ‘interdependence’.
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