Deborah Ross

Building block | 17 March 2016

Ben Wheatley isn’t much interested in narrative or character or women but he is keen on barbecued dogs and explosions of violence

issue 19 March 2016

High-Rise is Ben Wheatley’s adaptation of J.G. Ballard’s novel, and it is deeply unpleasant, if not deeply, deeply unpleasant. (Ideally, I would wish to repeat ‘deeply’ several hundred times, but I do not have the space.) Based on the dystopian notion of tower-block residents regressing into a primitive state once societal norms and the class structure are removed, it sounded promising, like an adult mirroring of Lord of the Flies. But Wheatley is so in love with his own visual style and excesses that all allegory and satire is lost while the violence escalates and women are beaten then raped. Misogyny with social commentary comments on misogyny, but without that it’s just misogyny served up for its entertainment value. That said, after the screening I shared a lift with a group of young men who declared it all ‘absolutely brilliant’, so you pays your money and takes your pick, although if you pays your money for this, I will think rather less of you.

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