George Hull

Broken hearts

In a bleak St Louis tenement, the Wingfields are buckling beneath the Depression and their mother’s old-fashioned aspirations. A framework of fire escapes and raised walkways provides convenient perches from which Tom (Leo Bill) can narrate and look on with foreboding as his lame sister is dressed and groomed for the long awaited ‘gentleman caller’.

issue 04 December 2010

In a bleak St Louis tenement, the Wingfields are buckling beneath the Depression and their mother’s old-fashioned aspirations. A framework of fire escapes and raised walkways provides convenient perches from which Tom (Leo Bill) can narrate and look on with foreboding as his lame sister is dressed and groomed for the long awaited ‘gentleman caller’.

In a bleak St Louis tenement, the Wingfields are buckling beneath the Depression and their mother’s old-fashioned aspirations. A framework of fire escapes and raised walkways provides convenient perches from which Tom (Leo Bill) can narrate and look on with foreboding as his lame sister is dressed and groomed for the long awaited ‘gentleman caller’.

Centre-stage in the Young Vic’s production of The Glass Menagerie (until 15 January), a raised dining table dominates.

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