Military history is more popular than respected. It is not hard to see why. It is masculine history, a trifecta of logistical planning, technical detail and violent death. It shows the value of hierarchy and duty, sacrifice and patriotism — disgraceful notions which the young and impressionable might be inspired to emulate. And,with its sudden twists from tedium to danger and its tidily destructive conclusions, it has tight plots.
One way to make civilian history as exciting is, as Eric Hobsbawm showed, to turn it into a false kind of fiction, true neither to the facts nor the life. Another, as N.A.M. Rodger did in The Wooden World, his ‘anatomy’ of the Georgian navy, is to integrate military history with political and social history. Sam Willis’s The Struggle for Sea Power has something of the Rodger touch: a ‘liquid history’ that integrates water and land, war and politics, global strategies and provincial societies.
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