In December 1979, the 28-year-old Hugo Vickers, dining with a friend, declared: ‘I see little point to life these days.’ The following day, an editor at Weidenfeld & Nicolson rang to tell him that Cecil Beaton, seriously debilitated by a stroke, was looking for a biographer. Vickers visited Beaton three days before his death in January 1980 and, shortly afterwards, was confirmed as his official biographer. This was to give point, along with glamour and excitement, to his life for the next five years.
Beaton’s sister, Lady Smiley, exhorted Vickers not to make it ‘one of those gossipy books. There’s so much more.’ He followed her counsel and his biography is both a measured account of Beaton’s myriad achievements as photographer, painter, designer and memoirist and a rounded portrait of his rich and at times rackety life. Thirty-six years on, Vickers has published the diaries written during his research for the book, in which gossip abounds.
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