Richard Bratby

Brief encounters

Matt Rogers’ And London Burned was music to the ears of the lawyers who’d commissioned the work, while John Joubert’s Jane Eyre was a vital, warm-blooded adaptation of the novel

issue 12 November 2016

When Mozart was commissioned to write an opera for the coronation of Emperor Leopold II, he produced La clemenza di Tito: a hymn to the benevolence of a Roman despot. When Matt Rogers and Sally O’Reilly were commissioned by the Inner Temple, they came up with an opera in which the protagonist is a law student who tries to obstruct the emergency services. The Fire of London is spreading, you say. And the only way to save life and property is by creating firebreaks? Sorry, I think you’ll find that, under Section 15 (4) of the Irresponsible Pettifogging Jobsworth Act 1661, you can’t do that. Truly, an operatic hero for our time. As the lights of the surrounding legal chambers shone into the Temple Church, I swear I heard the smartly dressed crowd in the pews around me purring quietly with approval.

And fair enough. He who pays the piper, and all that.

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