The decrepitude of old age is a piteous sight and subject. In his second book Michael Honig — a doctor-turned-novelist and sharp observer of the body’s frailties, and the mind’s — zanily explores it through the imagined senility of Vladimir Putin, once supremely powerful, now struggling to tie his laces. The horror, sadness and momentary furies of dementia are all traced in Vladimir’s plight, plus the tedium and — especially — the bleak comedy. As the story opens, he is visited by his successor: ‘I’m going to fire that bastard,’ he says. ‘Have we got cameras?’ On a lakeside walk he strips off for phantom paparazzi. These fiascos are parodies of a parody, the actual Putin’s macho antics themselves being a pantomime of statecraft, staged with an invisible wink, as Honig’s send-ups help you to see.
The conceit is that, after serving five terms as president and two as prime minister, Vladimir is confined to a dacha outside Moscow.
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