Louise Levene

Bravura bling

Plus: an evening at the Royal Ballet is saved by Canadian choreographer Crystal Pite

issue 25 March 2017

There was a nasty sound of pens being sharpened last week as Royal Ballet runaway Sergei Polunin prepared to unveil his latest venture. The reviews were as dire as the show but the overriding mood was one of regret that so great a talent should have lost its way.

Project Polunin’s triple bill was cannily timed to coincide with the release of the documentary film Dancer, which follows the young Ukrainian prodigy’s progress after his snap resignation from the Royal Ballet in 2012. The film’s director, Steven Cantor, had no dance background and was a pushover for all the bravura party tricks that dominate the movie’s dance footage. This, together with the flashdancing YouTube sensation ‘Take Me to Church’, placed so much emphasis on raw virtuosity that Project Polunin was pretty much honour-bound to supply more of the same.

The Wells evening got off to a respectable start with a duet from Vladimir Vasiliev’s 1971 piece Icarus,The Night Before the Flight.

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