The Blyth Gallery is situated in the Sherfield Building, deep in the South Kensington campus of Imperial College London. The Sherfield Building is a labyrinth of concrete, linoleum and glass. Its atmosphere is oppressively institutional. You walk around to the percussion of slamming fire doors and the click-clock of unseen footsteps. The air carries the faint scent of yesterday’s boiled vegetables. It’s an unprepossessing place.
The gallery is up on the fifth floor, in an anteroom between the lobby outside the central lifts and the Seminar and Learning Centre. There is no natural light. The floor is bare. The walls are white. A partition splits the room in half. The dense human traffic between the lifts and the seminar rooms runs to one side of this partition, leaving the other half clear.
The curators have placed the centrepiece of their latest exhibition, Susan Aldworth’s lithographs, including ‘Passing Thoughts 13’ (above), on the wall of the partition facing the walkway.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in