Paul Routledge

Boy, can Alan Johnson write

A review of ‘Please, Mister Postman’, by Alan Johnson. This second instalment of the former minister’s autobiography takes us from the urban jungle of Notting Hill to the cusp of political power

Comforting domesticity: Alan Johnson with his stepdaughter Natalie and daughter Emma  
issue 27 September 2014

Alan Johnson’s first volume of memoirs, This Boy, is still in the bestsellers’ list, but the Stakhanovite postman has made a second delivery, timed impeccably for the party conference season. It charts his escape from the urban jungle of Notting Hill to Britwell council estate in Slough, via a succession of GPO sorting offices and eventually to high office in the Union of Communications Workers.

Like its predecessor, Please, Mister Postman takes its title from a Beatles classic. The boy left in the care of his 16-year-old sister after their mother’s death dreamed of becoming a rock star. He played in a succession of pop groups and even recorded a demo disc, until the theft of the band’s equipment, including his precious Hofner Verithin guitar, from a room above an Islington pub, put paid to his musical career.

His mother had wanted him to become a draughtsman, because they went to work in a suit, but fellow guitarist Sham, ‘a tall, genial black guy’ persuaded Johnson to become a postman.

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