Anna Aslanyan

Borges: the man and the brand

This ‘novelistic memoir’ about the great Argentinian man of letters has already incited the ire of his widow. But does this matter when, according to Borges, ‘anything that passes through memory becomes fiction’ anyway?

Jorge Luis Borges in 1977. Credit: Sophie Bassouls/Sygma/Getty Images 
issue 14 August 2021

‘The story that Jay Parini recounts in Borges and Me is untrue,’ a recent letter in the TLS claimed, ‘and it should be understood as fiction.’ The author, Maria Kodama, Borges’s widow and literary executor, has also told the press that she ‘will have to act in some way or other’ should the book come out in Argentina. Borges memoirs have long exceeded the master’s oeuvre by what must amount to the library of Babel in volume. The author of one classic of the genre, Norman Thomas di Giovanni, Borges’s translator and collaborator, told me a decade ago: ‘I’m not going to lie to you now and say, you know, we were so close Borges cried every time he saw me.’

Parini is the author of several books based, as they say, on true stories, including The Last Station, a novel about Tolstoy. His latest one is labelled as ‘novelistic memoir’ — hence the subtitle.

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