Philip Hensher
There were some very good novels this year, but they came from surprising directions. It is astonishing that one as original as Kate Barker-Mawjee’s The Coldest Place on Earth (Conrad Press, £9.99) couldn’t find a major publisher. A friend recommended this wonderfully controlled and evocatively written novel about a heart coming to life in the depths of Siberia.
I always enjoy Mick Herron’s half-arsed spy thrillers, but Bad Actors (Hodder & Stoughton, £18.99) took a big step into literary excellence. The dazzling, Conrad-like structure turned an entertainment into a major literary statement. Sheila Llewellyn’s Winter in Tabriz (Hodder & Stoughton, £8.99) was a revelation – long considered and slowly overwhelming with its sense of time and place (Iran, 1979). Someone else who has written magnificently about Iran is James Buchan. His A Street Shaken by Light (Mountain Leopard, £16.99), not about Iran but about a Scotsman on the make, is the first of a cycle. It is one of those historical novels that evokes not just a past time but a lost way of speaking.
I shouldn’t really comment on Penguin’s short story anthologies since I’ve edited three myself, but Patrick McGuinness’s two-volume The Penguin Book of French Short Stories (£30 each) is outstanding – even if it left out George Sand.
In non-fiction, I liked Keiron Pim’s life of Joseph Roth, Endless Flight (Granta, £25) – a work long wanted in English and capably carried out. Graham Robb’s France: An Adventure History (Picador, £25) might be the book that I was assigned to review which I enjoyed the most. I ordered Betsy Balcombe’s memoirs of Napoleon in exile on the back of it, which is always a good indicator.
I’m a year late, but Jeremy Atherton Lin’s Gay Bar (Granta, £9.99) was a knockout: a responsible history of places that at the time aspired to nothing more than a few hours of lurid fun and total oblivion.

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