Marcus Berkmann

Bookends | 10 September 2011

Bleak humour

issue 10 September 2011

Harry Enfield has said that ‘comedy without Galton and Simpson would be like literature without Dickens,’ and he may be right. Their two most lasting creations, Hancock’s Half Hour (illustrated above) and Steptoe & Son, influenced almost everything of worth that came after, from Fawlty Towers and Porridge to The Office and Gavin and Stacey. Nonetheless, you can’t imagine any show as bleak as Steptoe being commissioned today: two men sitting in a room arguing, forever. For this reason, and maybe others, Ray Galton and Alan Simpson haven’t received their due. The comedy archivist Christ-opher Stevens corrects this with The Masters of Sitcom (Michael O’Mara Books, £20), a lovingly compiled and annotated selection of some of their best scripts. Staggeringly prolific in their youth (they wrote more than 150 Half Hours for Hancock) they stopped working together in 1979, but are still good friends (aged 81) and still finishing each other’s sentences.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in