Daisy Dunn

Boldly and brilliantly unoriginal: Kermode and Mayo’s Take reviewed

Plus: a clever, self-effacing new radio essay from Adrian Edmondson

Mark Kermode and Simon Mayo have taken their production team with them to their new studio at Sony, making the transition highly efficient. Image: Chris Bull / Alamy Stock Photo 
issue 21 May 2022

Last April Fools’ Day, Mark Kermode and Simon Mayo wound up their award-winning film review show on BBC Radio 5 Live after 21 years on air. A little more than a month later they are back with Kermode and Mayo’s Take, a podcast so similar in flavour and format that you could call it an up-yours to their critics.

While Mayo stressed that it was their decision to go their own way – ‘we have decided, and to be clear: that’s no one else has decided’ – he was slightly more candid about his experience in an interview with the Radio Times a few weeks ago. People of my generation have grown up with Kermode and Mayo, and were as surprised as any by their departure. But we needn’t fret. The pair have taken their production team with them to their new studio at Sony, making the transition highly efficient.

Kermode and Mayo’s Take is neither fresh nor new but boldly and brilliantly unoriginal

All of which is to say that Kermode and Mayo’s Take is neither fresh nor new but boldly and brilliantly unoriginal.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in