Emma Donoghue’s novel Room was short-listed for the 2010 Man Booker prize and made into a film in 2015. Inspired by Josef Fritzel’s incarceration of his daughter Elisabeth, it described a mother and son held captive in one room for several years. It depicted their intense, private world and focused on maternal love.
The Wonder also inhabits a small, claustrophobic space, whose inhabitants cling to idiosyncratic rules and beliefs. Set in the Irish Midlands soon after the potato famine, the story shows the reliance of the poor and often starving on a mostly joyless and self-punishing Catholicism. The Wonder, as Room did, depicts maternal love, this time distorted, but no less intense.
Our narrator is Lib Wright, a young English widow who had nursed in the Crimea under Florence Nightingale and imbibed that rigorous training. She is sent to Ireland for a mysterious two-week nursing job.
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