Each of the Buddhist monks’ faces tells a variation on the same story. One simmers with fury, another sags with despair, a third is locked in a stoical gaze. The sign they are holding is written in Mandarin — its message the latest piece of sadistic invention by the Red Guards promoting Mao’s Cultural Revolution. ‘To hell with the Buddhist scriptures, they are full of dog farts.’
This is just one tiny photograph in the Barbican exhibition Everything Was Moving (until 13 January 2013). The project takes a gargantuan bite into world affairs in the Sixties and Seventies, so that through the eyes of 12 photographers we revisit such provocative topics as apartheid, Ukraine under Soviet rule, the American civil rights movement, and Mao’s China. The monks’ photo was taken by Li Zhensheng, a news photographer who was also secretly creating what would prove to be the most extensive chronicle of the Cultural Revolution.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in