Richard Bratby

What makes a Christmas song Christmassy?

From werewolf films to Soviet Russia, the origins of many Yuletide classics are hard to get your head around

The original poster for the 1934 Soviet film Lieutenant Kijé, Prokofiev's soundtrack of which has become an unlikely Christmas classic. Image: Alamy Stock Photo  
issue 17 December 2022

Temperature records for Los Angeles in the summer of 1945 are patchy, but 90 in the shade seems to have been the norm. It was during one such scorcher, presumably, that the songwriters Jule Styne and Sammy Cahn pulled up at a red light on the corner of Hollywood and Vine. Cahn suggested going to the beach. Styne had a better idea: ‘Let’s go write a winter song.’ Driving over to the offices of their publisher Edwin H. Morris, Cahn commandeered a typewriter, glanced out the window and typed the exact opposite of what he saw: ‘The weather outside is frightful.’ The Great American Songbook had acquired another Christmas classic.

And ‘Let it Snow!’ is no less classic – and all the more American – for omitting any mention of Christmas. That wasn’t obligatory (Mel Tormé’s ‘The Christmas Song’ was born in the same Californian heatwave). But in a melting-pot America, it made commercial sense.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in