Alex Von Tunzelmann

Black mischief among the Medicis

Catherine Fletcher’s account of the life — and violent death — of Alessandro de’ Medici, known as ‘il Moro’, is quite as gripping as Othello

issue 07 May 2016

In a recent interview, the African American actor Wendell Pierce revealed he had once been told by the head of casting at a Hollywood studio: ‘I couldn’t put you in a Shakespeare movie, because they didn’t have black people then.’ The story was repeated on social media with a mixture of horror and hilarity, many responding — as Pierce himself did — ‘You ever heard of Othello?’

Yet the head of casting’s comments represent a common misconception and a significant gap in historical memory. Black Africans have been a visible presence in European life for centuries — and not only as slaves. In the 16th century, there were black musicians, such as Henry VIII’s trumpeter, John Blanke. There were black scholars, such as the Spanish poet and professor of Latin Juan Latino. There were black holy men, such as St Benedict of Palermo. There were entirely ordinary black people: a 1565 collection of etchings of 72 Flemish peasants, apparently based on the paintings of Pieter Brueghel, included three distinctly African faces.

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