Where have I been all these years? A listed Francophile managing to miss the utter delight of Bizet’s la jolie fille de Perth! Not averse to Carmen, tickled by the dusky oriental charms of The Pearl Fishers, diverted by the precocious brio of the 18-year-old’s sole symphony, enchanted and moved by the music for l’Arlésienne; yet incurious enough not to have explored such a likely route towards pleasure as this full-length opera written in 1866, three years after the first, some eight before the last, of his famous repertory pieces.
That its so-called plot is lost beyond recall from start to finish should be no disadvantage for an operatic culture which can swallow middle-period Verdi without demur. I remember Scott’s original novel as one of the Northern Wizard’s best, concretely localised in Scotland’s prettiest town and his own convincingly invented past; its characters less cardboard than often, its story less dependent on improvisation and coincidence.
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