Francesca Peacock

Bizarre images: I Hear You’re Rich, by Diane Williams, reviewed

With flying narrators and women whose hair drags on the floor, there’s something of Leonora Carrington’s weird visions about Williams’s short stories

Diane Williams. [Meghan Marin] 
issue 05 August 2023

‘What am I – I wonder, dear god – now best known for?’ It is a question asked at the end of ‘Gladly!’, one of the American author Diane Williams’s mercurial, light-footed short stories. The narrator in existential crisis has just bumped into a man she ‘once engaged with for years, amid scenes of nearly religious significance’; has found a discarded, brand new pair of ‘canvas All Star high tops’; and witnessed a boy picking up nuts that were ‘meant for squirrels’, and decided that in later life he will be renowned for either ‘gluttony’ or ‘enterprise’. The drama of these occurrences and the self-questioning take place over no more than two pages. The story, and the lives it tells, could be read in the time it takes to gulp some coffee.

There is, then, no question of what Williams, now in her seventies, is best known for. She writes an unmistakable type of story: short, tightly wrought, each sentence a small masterpiece – a three-act play in miniature.

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