Bigamists, lunatics and adventurers: the raucous world of 19th century British music

For a patriotic German in the decades before Bismarck, Britain’s power was an object of envy. But there was one thing, at least, that you could always hold over the Anglo-Saxons on their foggy little island. On 1 January 1837, Robert Schumann sat down in Leipzig to hear a new piano concerto by the 20-year-old William Sterndale Bennett. ‘An English composer; no composer,’ commented his neighbour, smugly, before the music started. Few 19th-century German music-lovers failed to point out that the land of Shakespeare had somehow failed to produce a single really significant composer since the late 17th century.

We know how that story ended; and if you want to explore the flowering of the British musical renaissance, it’s never been easier. The first recording of Parry’s oratorio Judith (1888) was released this month and recent recordings have put Sullivan back into the limelight without Gilbert for the first time in decades.