Artemis Cooper

Between the Iron Lady and the Wedding Cake: conflict in Belle Époque Paris

Two 19th-century buildings perfectly symbolised the growing friction between the capital’s progressives and traditionalists – the Eiffel Tower and Montmartre’s Sacré Coeur

‘Boulevard de Clichy’ by Pierre Bonnard, c.1911 – with the Sacré Coeur in the background. [Bridgeman Images] 
issue 18 May 2024

Between 1789 and 1871 Paris went through five kings, two Bonapartist empires, two republics, several revolutions and a Commune. Each had been an attempt to accommodate or neutralise one of two visions of France. The oldest was traditional and conventional; it mourned the ancien régime, and preferred the safety of autocracy over the chaos of democracy and God over science. The younger was progressive and eager for change, building on the ideas of the Enlightenment and the revolutionary ideals of 1789.

We are taken through slums, cafés, law courts, theatres, brothels, strikes and demonstrations

For Mike Rapport, ‘the friction between change and tradition is perhaps the defining characteristic of the modern condition’. In this book he explores that friction in the Belle Époque, from 1875 to 1914. He takes the reader through department stores and brothels, slums, snack shops and cafés, law courts and newspaper offices, theatres and meeting halls, concerts, strikes and demonstrations.

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